Pretty Photos From The Beginner to The Wedding! Yes it is Possible!

Sooner or later every novice photographer will need to photograph the wedding. Where your cousin having spent all his savings on a ring with a diamond for his future mother-in-law, is looking for ways to save money on a photographer, well, what about: “Hey! You are a photographer, is it difficult for you?” The motive does not matter. One should ask the question: “Are you ready to photograph weddings?”

Let’s see what is necessary to know and take into account a beginner photographer to successfully photograph his first wedding in the life.

The basic photographic knowledge that is necessary!

With the modern development of technology, a lot of amateur photographers can shoot and shoot for years in the “green zone”, or semi-automatic mode, without understanding the basics of photography. Their photos can look great because today’s cameras are getting better and better, but the question is why suddenly some picture turned out to be overexposed or too dark, like to photograph in the rain, or a strong wind to avoid blurring, can put a person at a dead end.

To photograph the wedding day at its best in the “green zone”, the amateur photographer will succeed only in case of ideal lighting. What percentage of the probability of such a coincidence – you can not even consider it, it’s too small. Therefore, rely on the will of the case is not worth it. You need to soberly assess your knowledge and weigh all the chances.

For example, the most difficult thing in a wedding photography is to explain to your camera how to read reflected light. A special sensor in the camera records the amount of light that is reflected from different objects. It is clear that from the big white “spot”, which is the bride in the wedding white dress of light will be reflected more than from the groom in a black suit.

The camera does not understand that in fact the difference in the brightness of the object, it assumes that the lighting changes. Counting averaged, gives out a picture where the bride in a gray-dirty dress will look colossally under-held and the groom’s image will be very much overdone, as additional light will be added to make the black suit gray. As a result, chiaroscuro on the face will be washed. Both images will have to be processed very well and processed in the editor for a long time before showing it to anyone.

An experienced photographer clearly knows that exposure compensation will be required in order to obtain a reliably accurate study of lights and shadows in the image. It is knowledge, when it is required to use exposure compensation, is a key part of being able to take pictures of weddings.

A wedding photo in some way it is a reportage photo. The photographer should be able to quickly and easily change the exposure at the slightest change in the conditions of illumination or the location of objects. Using a histogram helps, of course, but if you are too focused on understanding the technical details of photography, you can miss the key details of the wedding. Thus, only the ability to adjust the exposure on the fly can guarantee that your photos from the wedding can be beautiful.

The second important knowledge for a wedding photographer is the understanding of the relationship between the diaphragm and endurance. You can be even more categorical – if you do not understand this relationship, you in no case can not shoot weddings. What you will have to do first is to learn lessons for young photographers. Because while the wedding is not your level.

If the novice photographer does not know how the opening of the diaphragm affects the depth of field, he can hardly use the focal lengths correctly. But you need to understand that small holes create a greater depth of field, longer focal lengths reduce the depth of field. If you are not familiar with these parameters, you need to start with a theory for novice photographers.

Well, and about empirical rules that can be used as a basis for training before wedding photography.

  • For a wedding woman’s portrait (head and shoulders) it is necessary to use a diaphragm not less than f = 2. Even with f = 2, not the entire face will be clear. If you want to expand the area of sharpness, use already the values of the order f = 2.8 and even f = 4.
  • For the portrait of the groom, the smallest value of the diaphragm can only be f = 4, since the wide openings assume softness and blurriness, which is more in line with the viewer’s perception of femininity than of masculinity.
  • When portraying two or more people, smaller aperture values are needed. This is not even about f = 4, but about 5.6. To get a great shot, you need everyone in the frame to be in focus. For group photos, family, a wide angle and aperture f = 11 will help.

Using a fill flash is important when shooting weddings. It is necessary and may be needed in many situations. For example, when you have to do portraits in the shadows. To highlight faces, remove ugly shadows from under the eyes or nose, make the photo more complimentary for the models.

Or, for example, a fill flash can be used in bright sunlight to “kill” it and successfully overcome all the harsh shadows. And again – the photographer’s knowledge should be enough for what should be the exposure compensation when using flash. In general, it is difficult, but must be mastered without fail.

When shooting a wedding photographer constantly moves from the shade to the sun. You must be able to quickly setup me not only on the camera but also on the flash. How can this be achieved? The only answer is to study theory and fix it in practice!

Here are the basics you need to know, understand well, easily navigate before taking on such a responsible job as photographing a wedding. So what is next? Further new heights for development.

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